Anytime Help Center

Contact Us

If you still have questions or prefer to get help directly from an agent, please submit a request.
We’ll get back to you as soon as possible.

Please fill out the contact form below and we will reply as soon as possible.

  • Support
  • Guest
  • Log In
English (US)
US English (US)
DE German
CN Chinese
MX Spanish (Mexico)
Chinese (Simplified)
  • AKG
    Microphones Wireless Integrated Systems Automatic Mixers Headphones Discontinued Products (AKG) General AKG Inquiries Certifications (AKG)
  • AMX
    Networked A/V Distribution (AVoIP) Traditional A/V Distribution Video Signal Processing Architectural Connectivity User Interfaces Control Processing Power (AMX) Programming (AMX) Software (AMX) Discontinued Products (AMX) General AMX Inquiries Certifications (AMX)
  • BSS
    Soundweb™ Omni Soundweb™ London Soundweb™ Contrio™ Software (BSS) Discontinued Products (BSS) General BSS Inquiries Certifications (BSS)
  • Crown
    CDi DriveCore Series CDi Series Commercial Series ComTech Series DCi DriveCore Series I-Tech HD Series XLC series XLi Series XLS DriveCore 2 Series XTi 2 Series Discontinued Products (Crown) Software (Crown) General Crown Inquiries Certifications (Crown)
  • dbx
    CX Series 500 Series DriveRack Personal Monitor Control ZonePRO Zone Controllers FeedBack Suppression Microphone Preamps Dynamics Processors Crossovers Equalizers Software (dbx) Discontinued Products (dbx) General dbx Inquiries Certifications (dbx)
  • Flux::
    Immersive Processing Analysis Subscriptions
  • JBL
    Cinema Sound Installed Live Portable Tour Sound Recording & Broadcast Software (JBL) Discontinued Products (JBL) Video Manual Series (JBL) General JBL Inquiries Certifications (JBL)
  • Lexicon
    Plugins Effects Processors Cinema Discontinued Products (Lexicon) Video Manual Series (Lexicon) General Lexicon Inquiries Certifications (Lexicon)
  • Martin
    Atomic ELP ERA Exterior MAC P3 VC VDO Tools Discontinued Products (Martin) General Martin Inquiries Certifications (Martin)
  • Soundcraft
    Digital Analog Connected Analog Only Discontinued Products (Soundcraft) Video Manual Series (Soundcraft) General Soundcraft Inquiries Certifications (Soundcraft)
  • General HARMAN Inquiries
    Dante
+ More
  • Home
  • AKG
  • Microphones
  • Microphone Accessories

Pop Filters and Microphones

Written by Gary Brindley

Updated at December 22nd, 2025

Table of Contents

Question: Answer:

Question:

What is a pop filter for?

Answer:

A pop filter, pop shield or pop screen is a noise protection filter for microphones, typically used in a recording studio. It serves to reduce or eliminate popping sounds caused by the mechanical impact of fast-moving air on the microphone from plosives during recorded speech and singing.

Popping sounds occur particularly in the pronunciation of aspirated plosives (such as the first 'p' in the English word ​​"popping").  The popping sound recorded by a microphone has two components: High-frequency components are from air moving past the grille or other parts of the microphone body.  The low-frequency component is from air impacting the diaphragm.  Mechanical and electrical saturation (e.g. clipping) can also play a role depending on the amount of headroom designed into these systems.

A typical pop filter is composed of one or more layers of acoustically semi-transparent material such as woven nylon stretched over a circular frame, and often includes a clamp and a flexible mounting bracket.  Metal pop filters use a fine mesh metal screen in place of the nylon.  Some studio condenser microphones have an integral pop filter built into their design.

An improvised pop shield, functionally identical to the professional units, can be made with material from tights or stockings stretched over a kitchen sieve, embroidery hoop or a loop of wire such as a bent clothes hanger.  It is important that the pop shield not be attached directly to the microphone as vibrations will be transmitted from the shield to the microphone.

Pop filters are designed to attenuate the energy of the plosive, which otherwise might exceed the design input capacity of the microphone, leading to clipping. In effect, the plosive's discrete envelope of sound energy is intercepted and broken up by the strands of the filter material before it can impinge on, and momentarily distort, the sensitive diaphragm of the microphone.  Pop filters do not appreciably affect hissing sounds or sibilance, for which de-essing is used.

Additionally, a pop filter can protect against the accumulation of saliva on the microphone element.  Salts in human saliva are corrosive, so the use of a pop filter may improve the lifespan of the microphone.

A pop filter differs from a microphone windscreen.  Pop filters are generally used in a studio environment, while windscreens are typically used outdoors. Windscreens are also used by vocalists on stage to reduce plosives and saliva, though they may not be as acoustically transparent as a studio pop filter.

The AKG PF80 pop filter can be ordered with the following code: 6001H06420​​​

Related Videos

recording equipment sound prevention

Was this article helpful?

Yes
No
Give feedback about this article

Table of Contents

Question: Answer:

Related Articles

  • Phantom Power Adapters for Microphones
  • Phantom Power and Microphones
  • How to change the audio nature of C5 and C1000 microphones
  • Can I use my AKG Microlite Microphone with other wireless systems?

Related Articles

  • Phantom Power Adapters for Microphones
  • Phantom Power and Microphones
  • How to change the audio nature of C5 and C1000 microphones
  • Can I use my AKG Microlite Microphone with other wireless systems?
Copyright © HARMAN Professional. All rights reserved. Privacy Policy | Terms of Use
Expand